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What are the benefits of a multiple grit sanding stick?
Posted in: Best practices
26th October 2022
Inevitably in most modelling projects, there is a requirement for the clean-up of parts prior to assembly. This may...
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What is a roundhouse?
Posted in: Model Railway
21st October 2024
A roundhouse refers to a specialised building, typically found in larger rail depots, designed for housing and...
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What is BR sectorisation?
Posted in: Model Railway
4th June 2024
"BR sectorisation" refers to the reorganisation period starting in 1982 when British Rail restructured its operations...
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What is the difference between bullhead and flat-bottom rail?
Posted in: Model Railway, Tracks, Best practices
8th February 2021
From a modeller's perspective, there is no practical difference between bullhead and flat-bottom rail. The existence...
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My rails have been damaged, how can I straighten them?
Posted in: Tracks
14th November 2021
Fortunately, incidents where track gets damaged after installation are relatively rare, but spare track, and track...
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What is forced perspective?

Perspective is something we see every day out there in the real world. A tree in the far distance, for example, will appear very small, despite it being as large as a tree close by. Our brains know this, but, our brains can also be easily tricked with the use of forced perspective.

The most common application of forced perspective in modelling is the use of back scenes. Apart from their primary purpose of providing a backdrop to layouts, they also often provide a forced perspective. It's not uncommon for a back scene to feature hills and scenery some miles away, even though the back scene itself is placed just centimetres from the main features on the baseboard.

Forced perspective can also be achieved using models. A modest approach to this would be the use of progressively smaller trees and buildings the further back you go. A more extreme example would be the use of N gauge track in the background and OO gauge in the foreground. Most modellers using forced perspective favour techniques somewhere between the two.

The trick to using forced perspective is to have some sort of scene break between steps in gauge or scale. Placing models of different scales too closely without a visual distraction will result in the brain not being tricked. However, locating your building either elevated on a hill or slightly obscured by a hedge can have compelling effects.

The exception to the rule is when using low-relief buildings layered to create a tiered town effect. In this scenario, only a very small gap is left between models with little or no distractive features. Some very convincing dioramas have been produced by modellers in this way, however, the method only really works when the scene is viewed head-on. Any other perspective leaves the scene looking a little bit like a pop-up book.

Posted in: Scenery

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